When I first noticed Becky Hogg‘s animal kits in the RSN shop I fell in love with them instantly. I like the modern look and the way the metalwork embroidery has been used to create an instantly recognisable image of the animal. Becky has designed kits for 8 animals in this series: snow bunting, heron, barn owl, woodpecker, fox, squirrel, Badger and song thrush. I had a hard time choosing just one, but in the end, I settled on the fox as I thought it was the cutest.

I bought the kit over a year ago, I think, but never got around to stitching it as my RSN certificate projects just took up so much time. However, having finished the silk shading module and having finished all of the preparations for my upcoming goldwork module I thought it would be a good time to have a go at this kit and practise some goldwork before the ‘real thing’ next month.

With hindsight that was a really good idea, as I have learned a lot from this kit, gave me a lot of practise, and it has also raised some questions about how to stitch particular bits that I will definitely ask my tutors during the RSN summer intensive as those issues will definitely come up in my own piece.

Ì had done some goldwork before on Jenny Adin Christie’s pheasant, wren, and rose brooch and also during an RSN workshop at the Knitting and Stitching show.

Becky’s kit is beautifully designed (I love the cardboard box design) and the instructions are very detailed. She even gives you little tips in the margins of the instructions to get the best results. She has included plenty of materials in the kit. You even get 2 full spools of Guterman thread (grey & gold) and a full skein of Anchor stranded cotton! You will have lots left for your next projects. The metalwork threads included are also plenty. She has included lots of the copper wire check for the cutwork, which I was particularly happy with as it is so delicate and I found it very difficult to the get it right the first time so I was really happy with the extra supply so I didn’t need to worry about running out. Becky also has included a hoop and ribbon so you can frame your work after stitching it. You will need a 6″ or 8″ ring frame to stitch the fox though as the 4″ hoop is too small for stitching the fox into.

After attaching the felt padding the metalwork started with couching gold passing thread. It is a bit fiddly at first but quite quick. I did find it difficult to see where I was going when all the ends are still at the front, so I started to plunge them as I went along and used a bit of sticky tape on the back to keep them out of the way until I was ready to stitch them down after the entire area was couched. Part of the foxes back is stitched in a continuous spiral, which creates a lovely effect and it saves having to plunge lots of ends. The only really difficult bit is to stitch the spiral centre, as you need to bend the passing thread to sit in the right spot. A pair of tweezers is invaluable! I also have to watch the tension of my couching stitches. I didn’t want them too tight as it distorts the felt padding, but too loose is not good either as they won’t hold the passing thread in place and they also end up looking like fluffy loose stitches on top of the smooth gold.

Next, I needed to do the pearl purl outlines. I had worked with pearl purl before so that went quite smoothly. I was just wondering whether I needed to stitch it on the felt, on the exact edge or next to the felt. I went with stitching it on the edge.

After the pearl purl outlines, it was time for some silver check purl chipping. I did manage to keep the chipping random but did find it difficult to keep the chipping flush and make sure there are no holes. I did find it difficult to decide how dense I should have stitched this area.

Copper check purl is used for the cutwork on the tail. I had done cutwork before with smooth purl and I thought check purl would be easier and less fragile, how wrong I was. You need quite a long length for the widest part of the tail and I did find it difficult to cut the purl at the correct length (not too long and not too short) and to stitch the next row at the correct distance to prevent overcrowding and to not have any felt showing. Also maintaining the correct angle is a challenge in itself. There is definitely a lot I have taken from this that I can use when doing the cutwork on my certificate project.

The final bits that needed stitching was some smooth purl cutwork on the ears and nose and beads for the eyes.

I love the final look of ‘my’ little foxy. Having shared the finished fox on Instagram yesterday, everyone seems to love him too, as the photograph is more than twice as popular as my previous popular photo! Thank you all so much for your likes and comments!

I would highly recommend this kit for anyone wanting to try metalwork embroidery. The design is really lovely and incorporates all of the main metalwork embroidery techniques. The instructions are very detailed and if you have done other embroidery techniques but never tried metalwork embroidery, you will be able to try it out with this kit.

Posted by:Marlous

12 replies on “Foxy

  1. You have a lovely foxy here! Her designs are so cute aren’t they. I have her heron to do. I ‘threw’ it away in frustration, but like you, I want to get back into it before I head to SF in October. I’m glad it helped you ahead of your intensive course. Good luck with your next piece!


    1. Thank you Catherine! Yes they are, might get myself another one when I am at HCP next month. How come you threw it away in frustration? Which is your first course in SF? Can’t wait to see what it is like! Would like to do a embroidery-related trip next year that is a bit further afield.

      Liked by 1 person

      1. I love her designs but I find her kits to be frustrating to be honest. I could barely see the design, and then when I was in the right light (which was at about 5am, not my usual stitching time!), I could see I had it wrong and would spend too much time contemplating what to do. So I need to unpick the whole thing, redraw the design, hope I have enough materials, get a backing fabric as I don’t think it will work without one, and start again!
        I’m starting with metalwork in SF. From the Certificate it was my least favourite technique, so I figure I will get it out of the way early, but I might also learn to enjoy it!

        Liked by 1 person

      2. Oh no, that doesn’t sound good! I didn’t have any problems with the design lines at all. They were thin but visible enough. Maybe she has changed the printing process! Can’t wait to see your metalwork progress!

        Liked by 1 person

  2. It’s a beautifully designed piece, I agree. And you’ve done very well, and as you say, if it has given you a head start on the questions you want to ask of the RSN tutors it’s even more valuable.

    Liked by 1 person

  3. I love this piece and in fact all Beckys designs. I have the Squirrel and the Badger to do as well, however they may need to wait a little while yet. You really have done a lovely job on this Marlous – particularly your Beautiful couching!

    Liked by 1 person

    1. Thank you so much Sally! Yes, I was quite pleased with my couching effort. My cutwork needs a bit more practice, the long section are so difficult to keep neat. I know, things get in the way of stitching kits now. I do like to know that if I start a new one I can finish it too as otherwise I have so many projects on the go at once!

      Liked by 1 person

  4. Your foxy loxy is gorgeous!!! I’ve seen those kits online and admired one but it’s great to see how he’s stitched. I haven’t tried goldwork yet although I love the sparkle! I really enjoyed reading your thoughts on the experience of stitching him, and I think it was super clever to try a technique kit before taking the RSN course on the technique. Best of luck with the upcoming course 🙂

    Liked by 1 person

    1. Thank you so much for your lovely comments. Glad you enjoyed following my progress. I am really happy I thought of trying this technique before the course starts. Hopefully it pays off! 🤞


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